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| Name | Raag Darbari Kanada | Ustad Irshad Khan | Music of India |
| Video Uploader | Video From darbarfestival |
| Upload Date | This Video Uploaded At 18-05-2024 14:00:06 |
| Video Discription | #raagdarbari #ustadirshadkhan #musicofindia A fine exponent of both the sitar and the surbahar, Ustad Irshad Khan hails from the illustrious Etawah (‘Imdadkhani’) gharana. Apart from creating a legacy in sitar and surbahar, Ustad Khan’s ancestors also gave shape to the modern sitar, customising the design and mastering gayaki ang (vocal style). Partnering with him on the rhythms is Sukhwinder Singh ‘Pinky’ who adds vigour to the soul of this concert. Singh’s open-handed, sensual playing coalesces with Ustad Khan’s sitar in leaping, prancing bouts and whirls into storms of thundering solos that burst with radiance and high energy. Enjoy this music piece? You can WATCH THE FULL VIDEO HERE – Start your free no-obligation trial of the Darbar Player app and watch over 600 music performances today. Click here and sign up for a no-obligation 3-day trial and watch the full-length version of this video now at: https://bit.ly/3Aufh47 ______________________________________________________________ Learn more about the music: From a solemn mood, Khan swiftly shifts to one of heady romance with his sitar taking playfully to a radiant, joyful composition in medium tempo (madhyalay) Teental. The speed builds up to a fast one (drut) and yet faster (ati drut) where he plays a powerful jhalla or crescendo – the highly energetic segment with a strong rhythmic accompaniment where the main string is strummed rapidly with the chikari, an onomatopoeic word denoting the top-most string on the surbahar, strummed to maintain pulse and add to its polyphonic sound. Ustad Khan demonstrates his concluding miniature with a short vocal presentation and follows with his sitar. A folksy tune from northern India, the first sentence of which centres around Raag Khamaj and then plays out into shades of other ragas, Khan tapers the energies beautifully from serious and heavy-set to romantic and finally to a playful, light-hearted melody. Singh’s broad-based approach in this concert opens with a robust accompaniment of probing, dense bols attuned to the frosty, numbing strains of Darbari Kanada. The thicker textures shape-shift in joyful discontinuities to nimble, chirpy delineation of complex improvisations to suit the romantic behaviour of Bihag. The final folk piece leads to a heart-warming, extraordinary trade of crisp energies with Ustad Khan’s sitar. About The Artist: Musicians Ustad Irshad Khan (surbahar) Sukhwinder Singh ‘Pinky’ (jori) Debipriya Das (tanpura) Recorded at Darbar Festiva 2008 ________________________________________________________________ Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity, we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2024 Darbar Arts Culture Heritage Trust mTbRjeoPBkI |
| Category | Music |
| Tags | Indian classical music | Music of India | Hindustani | Darbar Festival | tabla | sitar | instrumental | improvisation | percussion | relaxation | calming | yoga | meditation | mindfulness | ustad irshad khan | sukhvinder singh pinky | jori | irshad khan | surbahar |
