Hi guys, Welcome to the Advanced Video Search Engine, and you are watching ELGAR NIMROD – LARGEST PIPE ORGAN IN ASIA - WEIWUYING 衛武營 National Kaohsiung Center for the Arts 高雄. That video is uploaded by scottbrothersduo at 2019-06-26T07:08:04-07:00. We are promoting this video only for entertainment and educational purpose only. So, I hope you like & enjoy it. [u2E8qcKcgAU]
| Name | ELGAR NIMROD – LARGEST PIPE ORGAN IN ASIA - WEIWUYING 衛武營 National Kaohsiung Center for the Arts 高雄 |
| Video Uploader | Video From scottbrothersduo |
| Upload Date | This Video Uploaded At 26-06-2019 14:08:04 |
| Video Discription | Jonathan Scott performs his solo organ arrangement of Nimrod (Enigma Variations Op. 36) by Edward Elgar on the organ of WeiWuYing - National Kaohsiung Center for the Arts, Taiwan. The score for this transcription is available here: http://www.scottbrothersduo.com/SCORES.htm 衛武營 衛武營國家藝術文化中心, 高雄 Completed in 2018 by Orgelbau Klais Bonn, the organ has 127 Stops and 9,085 pipes making it the largest pipe organ in Asia. Full specification below. Film & Sound by Tom Scott For more information please visit: http://www.scottbrothersduo.com The Organ of WeiWuYing - National Kaohsiung Center for the Arts Orgelbau Klais Bonn 2018 The organ has three consoles. i. The attached 5 manual and pedal Symphonic Console is mechanical with electric action for the 5th Solo manual and for playing the Classical Organ. ii. The Classical Organ has it's own mechanical 2 manual and pedal console and is also playable from both 5 manual symphonic consoles as a floating division. iii. The 5 manual mobile Symphonic Console is electric action action and has the additional features of a pedal divide and the option of swapping manuals I/II SPECIFICATION Symphonic Organ: V/102, mech.+elektr./elektr. I. POSITIF EXPRESSIF C-c4 Quintaton 16' Montre 8' Salicional 8' Bourdon 8' Unda maris 8' Flûte ouverte 4' Violon 4' Chœur de Violes VI 2 2/3' Basson 16' Horn 8' Chœur de Rossignols Trémolo II. GRAND-ORGUE C-c4 Montre 16' Bourdon 16' Montre 8' Salicional 8' Flûte harmonique 8' Bourdon 8' Grosse Quinte 5 1/3' Prestant 4' Flûte ouverte 4' Grosse Tierce 3 1/5' Quinte 2 2/3' Septième 2 2/7' Doublette 2' Cornet V 8' Fourniture VI 2' Cymbale VI 1 1/3' Bombarde 16' Trompette 8' Chamade (SO) 16' Chamade (SO) 8' Chamade (SO) 4' III. RÉCIT EXPRESSIF C-c4 Bourdon 16' Diapason 8' Flûte harmonique 8' Viole de Gambe 8' Voix céleste 8' Octave 4' Flûte octaviante 4' Nazard harmonique 2 2/3' Octavin 2' Tierce harmonique 1 3/5' Carillon IV 2 2/3' Cornet harmonique V 8' Bombarde 16' Trompette harmonique 8' Hautbois 8' Voix humaine 8' Clairon 4' Trémolo IV. GRAND-CHŒUR C-c4 Principal 8' Bourdon 8' Octave 4' Nazard 2 2/3' Quarte 2' Tierce 1 3/5' Larigot 1 1/3' Septième 1 1/7' Sifflet 1' Grosse Fourniture VI 2 2/3' Cymbale VI 1' Grosse Trompette 8' Cromorne 8' Gros Clairon 4' Trémolo V. SOLO C-c4 (Enclosed) Flûte majeur 8' Gambe 8' Voix céleste 8' Flûte de Concert 4' Grande Bombarde 16' Trompette 8' Cor anglais 8' Clairon 4' Chamade 16' Chamade 8' Chamade 4' PÉDALE C-g1 Voix de baleine 64' Flûte 32' Soubasse 32' Basse acoustique 32' Flûte 16' Principal-Basse (G-O) 16' Soubasse 16' Bourdon (G-O) 16' Grosse Quinte 10 2/3' Flûte 8' Octave 8' Bourdon 8' Grosse Tierce 6 2/5' Quinte 5 1/3' Septième 4 4/7' Octave 4' Flûte 4' Petite Quinte 2 2/3' Petite Flûte 2' Piccolino 1' Mixture VI 2 2/3' Contre Bombarde 32' Bombarde I 16' Bombarde II (SO) 16' Trompette I 8' Trompette II (SO) 16' Clairon 4' KOPPELN/COUPLERS Tirasse Positif expressif (I-P) Tirasse Grand-orgue (II-P) Tirasse Récit expressif (III-P) Tirasse Grand-chœur (IV-P) Tirasse Solo (V-P) Tirasse Chamades (CH-P) Grand-orgue au Positif (II-I) Récit au Positif expressif (III-I) Grand-chœur au Positif (IV-I) Solo au Positif expressif (I-P) Chamades au Positif expressif (CH-I) Positif au Grand-orgue (I-II) Récit au Grand-orgue (III-II) Grand-chœur au Grand-orgue (IV-II) Solo au Grand-orgue (V-II) Grand-chœur au Récit (IV-III) Solo au Récit (V-III) Chamades au Récit (Ch-III) Solo au Grand-chœur (V-IV) Chamades au Grand-chœur (Ch-IV) Octaves graves Positif (Sub in I) Octaves aiguës Positif (Super in I) Octaves graves Grand-orgue (Sub in II) Octaves aiguës Grand-orgue (Super in II) Octaves graves Récit (Sub in III) Octaves aiguës Récit (Super in III) Octaves graves Grand-chœur (Sub in IV) Octaves aiguës Grand-chœur (Super in IV) Octaves graves Solo (Sub in V) Octaves aiguës Solo (Super in V) Classic Organ: II/25, mech.+elektr./elektr. I. HAUPTWERK C-c4 Quintadena 16' Principal 8' Gedackt 8' Gamba 8' Octave 4' Quinte 2 2/3' Superoctave 2' Mixtur V 1 1/3' Trompete 8' II. OBERWERK C-c4 Gedackt 8' Quintadena 8' Principal 4' Rohrflöte 4' Waldflöte 2' Quinte 1 1/3' Sesquialera II 2 2/3' Scharff IV 1' Dulcian 8' Tremulant PEDAL C-g1 Subbass 16' Principal 8' Gedackt 8' Octave 4' Hintersatz IV 2 2/3' Fagott 16' Trompete 8' KOPPELN/COUPLERS II – I / I – P / II – P Generalspieltische / General Consoles: Hauptwerk – I Hauptwerk – II Hauptwerk – III Hauptwerk – IV Hauptwerk – V Hauptwerk – P Oberwerk – I Oberwerk – II Oberwerk – III Oberwerk – IV Oberwerk – V Oberwerk – P u2E8qcKcgAU |
| Category | Music |
| Tags | Elgar | Edward | Nimrod | Enigma Variations | Op. 36 | Organ | Pipe Organ | Jonathan Scott | WeiWuYing | 衛武營 | National Kaohsiung Center for the Arts | 衛武營國家藝術文化中心 | 高雄 | Taiwan | Largest Organ in Asia | Klais | Orgelbau | Music | Classical | Organist | Orgel | Orgue | Arrangement | Transcription |
