Hi guys, Welcome to the Advanced Video Search Engine, and you are watching Irving Kaufman "Masculine Women! Feminine Men!" LYRICS 1926 comic gender song hard to tell 'em apart. That video is uploaded by Tim Gracyk at 2021-02-05T23:53:06-08:00. We are promoting this video only for entertainment and educational purpose only. So, I hope you like & enjoy it. [JXqAwFcwKMg]
| Name | Irving Kaufman "Masculine Women! Feminine Men!" LYRICS 1926 comic gender song hard to tell 'em apart |
| Video Uploader | Video From Tim Gracyk |
| Upload Date | This Video Uploaded At 06-02-2021 07:53:06 |
| Video Discription | Irving Kaufman sings "Masculine Women, Feminine Men" Feel free to leave comments, but I'll remove comments that are too political about today. This is a comic song about being puzzled (not for, not against). It is from a great songwriting era, and it is performed by a great singer, so I upload it. Have a laugh--and if it inspires thoughts about today, that's fine, too. Hey, hey--women are going mad today . Hey, hey--fellows are just as bad. I'll say! Go anywhere--just stand and stare. You'll say they're "bugs" [nuts] when you Look at the clothes they wear. Masculine women, feminine men-- Which is the rooster? Which is the hen? It's hard to tell 'em apart today. And, say, sister is busy Learning to shave. Brother just loves his Permanent wave. It's hard to Tell 'em apart today, hey, hey! Girls were girls and boys were boys when I was a tot. Now we don't know who is who or even what's what! Knickers and trousers, baggy and wide-- Nobody knows who's walking inside! Those masculine women and feminine men. Stop, look, listen, and you'll agree with me. Things are not what they used to be, you'll see. You say hello to Uncle Joe. Then look again, and you find it's your Auntie Flo. Masculine women, feminine men-- Which is the rooster? Which is the hen? It's hard to tell 'em apart today! Why, Auntie is smoking, rolling her own. Uncle is always buying cologne. It's hard to tell 'em apart today, hey, hey. You go to give your girl a kiss in the hall, But instead you find you're kissing her brother Paul. Ma's got a sweater up to her chin; Papa's got a girdle holding him in-- Those masculine women and feminine men! Now, wifey is playing billiards and pool. Hubby is dressing the kiddies for school. It's hard to tell 'em apart today, hey, hey. Since the Prince of Wales in ladies' dresses [kilts] was seen, Now what does he intend to be--the King or the Queen? Why, grandmother buys those tailor-made clothes; Grandfather tries to smell like a rose. Those masculine women and feminine men! The name "Frank Harris" is used for Kaufman on this recording made on January 29, 1926. Lyrics are by Edgar Leslie, music by James V. Monaco. Irving Kaufman (8 February 1890 - 3 January 1976) was probably the most recorded singer between 1914 to 1930, his busiest years being in the late 1920s. He began his career by making records as a featured singer but in the mid- to late 1920s he also contributed vocal refrains to dance band recordings for many labels. Labels of some band dance records give credit to Irving Kaufman but pseudonyms were also frequently used. On many labels the simple phrase "vocal chorus" is used, with no name given for the singer. Kaufman reported years later that the major companies gave permission for him to record for smaller firms as long as pseudonyms were used. In fact, Columbia was the only major company to engage Kaufman regularly in the late 1920s (by this time he no longer made Victor records; he did not work for Brunswick aside from making one disc). Columbia itself employed various pseudonyms for the singer. Kaufman rarely knew at the time he attended a session what name would be used on a label afterwards. Jim Walsh wrote in the November 1962 issue of Hobbies that when Kaufman's wife would ask, "Well, who are you going to be today--George Beaver, Frank Harris, or who?" the reply was, "What do you care, as long as the check is made out to Irving Kaufman?" Kaufman said in a 1974 interview published in John and Susan Edwards Harvith's Edison, Musicians, and the Phonograph (Westport, CT: Greenwood Press, 1987), "I had so many different voices that half of the time my wife would say, 'Who are you going to be today?' I would say, 'I won't know until I get to the studio.'" He was born Isidore Kaufman to Barnett and Lena (Cohn) Kaufman in Syracuse, New York. His father was a Russian immigrant who made a living as a butcher. Irving was the youngest of seven children. His siblings were Jacob ("Jack"), Harry, Charles, Phillip, Ida, and Tillie. Jack and Phillip also made recordings. Announcing Kaufman as an exclusive Emerson artist, page 44 of the October 1919 issue of Talking Machine World gives this background information: "Irving Kaufman...started his career as an entertainer when only eight years of age. He was then a boy tenor with the 'Jenny Eddy Trio,' and a few years later was the principal soloist with Merrick's Band of fifty pieces, which accompanied the celebrated Forepaugh and Sells Circus." Irving had little formal education. Before reaching his teen years, he joined the Forepaugh and Sells Brothers Circus and sang during acts as a circus band played. A few years later he sang in movie theaters between silent films being screened. In 1911 in New York City he worked as a song plugger for the sheet music giant Leo. Feist, Inc. His first record was a Blue Amberol cylinder issued in July 1914, "I Love the Ladies" (2328), composed by Jean Schwartz. JXqAwFcwKMg |
| Category | Music |
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