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| Name | Mughal-E-Azam is a masterpiece, here's why...🪶✨️ |
| Video Uploader | Video From thatgirltas |
| Upload Date | This Video Uploaded At 28-04-2024 06:28:27 |
| Video Discription | The Madness and Mayhem of Making the Masterpiece, Mughal-E-Azam Mughal-e-Azam is a 1960 Indian epic historical fiction drama film directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love story between Prince Salim and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. At the end of the film, Akbar lets Anarkali escape with her mother through a tunnel. The development of Mughal-e-Azam began in 1944, and the film was finally completed and released in 1960. Production was plagued by delays, gossip & financial uncertainty. It was the most expensive film of its era and had the widest release of any Indian film up to that time. It broke box office records in India, at the time. In 2004, the film was chosen to the the first film to be digitally restored and colorized. The 2004 version was also a commercial success. In this video essay, I delve into the stories of making of the film, details on language used, set design, and costume. I critically discuss Madhubala as Anarkali – a role that was both professionally and personally challenging to her. I also discuss the underrated villain of Mughal-E-Azam, Bahaar. Bahaar is the master manipulator of the film, and she is similar to a Shakespearean villain, Iago from Othello. Before I delve into any analysis though, I provide a brief breakdown of the plot of the film. Be sure to skip to PART 3: Madhubala as Anarkali, where the analysis begins, if you do not want to go through the entire story again. Hope you guys enjoy this video – it took much longer to research and prepare because the making of Mughal-E-Azam was such a fascinating period in Indian cinema history. Let me know in the comments below if you love this film, and why – and as always, thank you for being here. #mughaleazam #madhubala CHAPTERS INTRODUCTION: 00:00–06:55 PART 1 MAKING MUGHAL-E-AZAM: EXPENSES AND EXTRAVAGANCE: 07:19–10:04 PART 2 THE STORY OF THE FILM: 10:06–17:25 PART 3 MADHUBALA AS ANARKALI: 17:26–25:22 PART 4 BAHAAR: 25:36-27:00 PART 5 COSTUMES: 27:03-28:15 PART 6 LANGUAGE: 28:18-29:03 PART 7 SET DESIGN (GARDENS, SHEESH MAHAL & WAR SEQUENCES): 29:04-34:17 PART 8 FINAL THOUGHTS 34:24-END I make reference to the following youtube videos in this essay, should you want similar videos to this one: Madhubala and Marilyn Monroe: https://youtu.be/tvDp02B3qFQ?si=0_kJzD_sPr3pXmxZ The History of Heeramandi: https://youtu.be/dOpuwKW5iTU?si=U6WVlN1tTqAlAlpy The Bhansali Aesthetic: https://youtu.be/yTyG0LNj-90?si=Q_Zn8GnhzU9bT8j2 SOURCES AND REFERENCES 1. Mughal-E-Azam: Legend as Epic by Anil Zankar 2. “I Want to Live” The Story of Madhubala by Khadijah Akbar 3. The Substance and The Shadow: An Autobiography by Dilip Kumar 4. https://www.architecturaldigest.in/story/exclusive-ad-visits-the-world-of-heeramandi-sanjay-leela-bhansalis-biggest-set-production/ 5. https://www.britannica.com/topic/Mughal-e-Azam 6. Samanta, T. (2023). Assessing Audience Response Towards Colorization of Iconic Black-and-White Bollywood Films. ShodhKosh: Journal of Visual and Performing Arts, 4(2), 600–615. doi: 10.29121/shodhkosh.v4.i2.2023.608 7. What Happens in a Hindi Film by R Inden (2013) 8. CHANGING EYES OF THE BEHOLDER...by A Zankar Bulletin of the Deccan College Post-Graduate and Research Institute, 2002-2003, Vol. 62/63, PROFESSOR ASHOK R. KELKAR FELICITATION VOLUME (2002-2003), pp. 323- 330 9. Swaying to an Indian Beat... Dola Goes My Diasporic Heart: Exploring Hindi Film Dance by Sangita Shresthova 10. How To Read a Hindi Film by M Rao 11. Mughal-e-Azam: Restorationcum-Colorization for 35mm Release by D SALGIA 12. 100 Iconic Bollywood Costumes by Sujata Assomull 13. The Mughal Charbagh : Paradise Gardens on Earth (theheritagelab.in) 14. Black And White: How Sanjay Leela Bhansali Straddles Different Worlds - Forbes India 15. Male Dancer Wore Madhubala Mask For Pyar Kiya To Darna Kya Song – India TV (indiatvnews.com) 16. K Asif halted shoot of Mughal-E-Azam for three days as he wanted pond with ‘ittar’ for Madhubala, recalls Karan Johar | Bollywood News - The Indian Express 17. https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/photo-features/mughal-e-azam-lesser-known-facts/photostory/47654185.cms 18. Why the movie Mughal-E-Azam continues to fascinate us | Bollywood - Hindustan Times 19. Mughal-e-Azam: royally glossing over history's true colours | Drama films | The Guardian 20. Mughal-E-Azam: Six decades of the silver era gem | The Business Standard (tbsnews.net) 21. How LifeLong court battle with husband and director K Asif affected Nigar Sultana’s career via news18.com 22. Techno-Nostalgia: Colorization of K. Asif’s Mughal-e-Azam by Ramna Walia 23. Mughal-e-Azam: Restorationcum-Colorization for 35mm Release by D Salgia |
| Category | Film & Animation |
| Tags | mughaleazam | madhubala | bollywood | filmanalysis | sanjayleelabhansali | heeramandi | kasif |
