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| Name | Non Stop Chants Of Panduranga Namavali | Exclusive Virtual Reality Video | Various Artists | Tamil |
| Video Uploader | Video From Daily Bhajans |
| Upload Date | This Video Uploaded At 30-07-2020 11:45:01 |
| Video Discription | This is a Virtual Reality Video. For Best Experience..Watch on Mobile Handset or Tablet & use VR Box Artist Name : Various Artists Song : Non Stop Chants Of Panduranga Namavali Genre : Spiritual Bhajan/Abhang Deity : Panduranga Language : Tamil Vithoba, also known as Vitthala and Panduranga, is a Hindu deity predominantly worshipped in the Indian state of Maharashtra. He is generally considered as a manifestation of the god Vishnu or his avatar, Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his main consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith of Maharashtra and the Haridasa faith of Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartik. The historiography of Vithoba and his cult is an area of continuing debate, even regarding his name. Various Indologists have proposed a prehistory for Vithoba worship where he was previously: a hero stone, a pastoral deity, a manifestation of Shiva, a Jain saint, or even all of these at various times for various devotees. Though the origins of both his cult and his main temple are likewise debated, there is clear evidence that they already existed by the 13th century. Devotional works dedicated to Vithoba can be categorised into the Varkari tradition, the Brahmin tradition and what Raeside calls a "third tradition", that includes both Varkari and Brahmin elements. The Varkari texts are written in Marathi, the Brahmin texts in Sanskrit, and the "third tradition" are Marathi texts written by Brahmins. The Varkari texts are: Bhaktalilamrita and Bhaktavijaya by Mahipati, Pundalika-Mahatmya by Bahinabai, and a long abhanga by Namdev. All these texts describe the legend of Pundalik. The Brahmin texts include: two versions of Panduranga-Mahatmya from the Skanda Purana (consisting of 900 verses); Panduranga-Mahatmya from the Padma Purana (consisting of 1,200 verses); Bhima-Mahatmya, also from the Padma Purana; and a third devotional work, yet again called Panduranga-Mahatmya, which is found in the Vishnu Purana.[80][81][82] The "third tradition" is found in two works: Panduranga-Mahatmya by the Brahmin Sridhara (consisting of 750 verses), and another work of the same name written by Prahlada Maharaj (consisting of 181 verses). In addition to the above, there are many abhangas, the short Marathi devotional poems of the Varkaris, and many stutis (songs of praise) and stotras (hymns), some of them originating from the Haridasa tradition. The best known of these is "Pandurangastaka" or "Pandurangastrotra", attributed to Adi Shankaracharya, although this attribution is questioned. A text called "Tirthavali-Gatha", attributed to Namdev or Dnyaneshwar but possibly a collection of writings of many poet-saints, also centers on the propagation of Varkari faith and Vithoba worship. Other devotional works include aratis like "Yuge atthavisa vitevari ubha" by Namdev and "Yei O Vitthala maje mauli re". These aratis sing of Vithoba, who wears yellow garments (a characteristic of Vishnu) and is served by Garuda (mount of Vishnu) and Hanuman (the monkey god, devotee of Rama—an avatar of Vishnu). Finally, the Telugu poet Tenali Ramakrishna (16th century) refers to Vithoba, as Panduranga, in his poem Panduranga-Mahatmyamu: "(O Parvati), accepting the services of Pundarika and Kshetrapala (Kala-bhairava), becoming the wish fulfilling tree by assuming a subtle body for the sake of devotees, fulfilling their wishes, the deity Panduranga resides in that temple." Subscribe to our channel for more Bhakti Video: https://www.youtube.com/c/dailybhajan... Also Like, Share and Comment if you liked the Song. Subscribe to our channel for more Bhakti Video: https://www.youtube.com/c/dailybhajans?sub_confirmation=1 Also Like, Share and Comment if you liked the Song. 5YhrJfGeAwA |
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