Hi guys, Welcome to the Advanced Video Search Engine, and you are watching Navarasa - Inmai || Scene - 03 || Siddharth || Parvathy Thiruvothu || Ammu Abhirami. That video is uploaded by Hits Shorts at 2021-11-07T10:34:04-08:00. We are promoting this video only for entertainment and educational purpose only. So, I hope you like & enjoy it. [2NwuH1AWlWM]
| Name | Navarasa - Inmai || Scene - 03 || Siddharth || Parvathy Thiruvothu || Ammu Abhirami |
| Video Uploader | Video From Hits Shorts |
| Upload Date | This Video Uploaded At 07-11-2021 18:34:04 |
| Video Discription | Directed By : Rathindran R. Prasad Story By : Rathindran R. Prasad Starring : Siddharth as Farooq aka Djinn Parvathy Thiruvothu as Waheeda Ammu Abhirami as Young Waheeda Sheimour Roosevelt as Maraikkayar Pavel Navageethan as Anwar R. Vadivelu as Jaffar Music By : Vishal Bhardwaj Cinematography : Viraj Singh Edited By : Anand Geraldin Plot: - Inmai The story begins when a rich lady Waheeda (Parvathy Thiruvothu), living in an expensive, art-festooned home decorated with her businessman husband’s money, has a visitor. Farooq (Siddharth), a charming calligrapher who she assumes works for her husband, visits her and requests for her signature on some documents, but the tone of the conversation quickly becomes flirtatious, which interests Waheeda. As the conversation continues, Waheeda receives a call, from which she realizes that Farooq is not who he claims to be. She asks who he is, and Farooq takes her to some flashbacks, which reveal that a young Waheeda (Ammu Abhirami) originally worked as a servant for a rich elderly man named Maraikkayar (Sheimour Roosevelt), who was suffering from a brain tumor. He falls for Waheeda and she marries him, assuming that he will die soon, but he does not. His excitement over the relationship seems to have given him a new lease of life. In her desperation, Waheeda, on the advice of lover Anwar (Pavel Navageethan), turns to Hussein Hojja (Rajesh Balachandran) to summon a djinn to kill Maraikkayar. Despite being warned of the unforgivable consequences of lying to secure a djinn's services, Waheeda lies to Hojja that she was forcefully married off to Maraikkayar and was being tortured by the old man, so she wants him to die. Now, in the present it is implied that Farooq is the djinn manifested as a human being, who has come to seek its revenge for Waheeda’s deception. Waheeda is terrified at this revelation, and in a desperate sequence, she begs for forgiveness, reeling off all the good deeds she has supposedly performed since then, in atonement for what she did. But secretly, she realizes that there is no escape, since she did not pay heed to Hojja's warning back then. She slashes her own throat to escape the horror that the djinn is about to unleash on her. Farooq uses his calligraphy knowledge to forge Waheeda's signature on the documents and explains the truth to her as she bleeds out on the floor. He reveals that Maraikkayar was definitely on his deathbed and his seeming recovery from his illness was merely a placebo effect before his death. Maraikkayar believed that Waheeda had miraculously cured him, but in reality, his tumor grew dormant because of the placebo effect. Meanwhile, one of Maraikkayar’s servants, Jaffar (R. Vadivelu), finds about Waheeda's black magic. Maraikkayar, on the other hand, began having hallucinations because of the tumor's malignancy, but Waheeda believed that the djinn's black magic actually worked. Soon, Maraikkayar died, and Waheeda, now in full control, fired Jaffar by accusing him of robbery, since he was the only person aware of the truth. This disgrace was too much for an honest man to bear, and Jaffar subsequently died of a heart attack, leaving behind his many daughters and an only son, revealed to be Farooq. It is shown that Farooq had plotted all the events leading to Waheeda's apparent suicide in order to avenge his father's wrongful death. Disclaimer: Video is for entertainment purpose only. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commenting, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. 2NwuH1AWlWM |
| Category | Film & Animation |
| Tags | Navarasa - Inmai | Siddharth | Parvathy Thiruvothu | Ammu Abhirami |
