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| Name | Raga Malkauns | Vidushi Dr. Ashwini Bhide Deshpande | Gunidas Sangeet Sammelan, 2021 |
| Video Uploader | Video From Swaralankar |
| Upload Date | This Video Uploaded At 15-02-2021 16:00:28 |
| Video Discription | Beautiful Rendition of Raag Malkauns by Vidushi Ashwini Bhide Deshpande Live at Gunidas Sangeet Sammelan held at Ravindra Natya Mandir, Mumbai on 5th Feb 2021. 00:00 - Vilambit Khayal : Naad Sagar Aparampar 40:41 - Drut Khayal : Ko So Batau Antar Man Ki Bitha ______________________________________________________ Raga: Raga Malkauns Taal: Roopak(Vilambit) Teentaal(Drut) Composition: Naad Sagar Aparampar Ko So Batau Antar Man Ki Bitha Composer: Dr. Ashwini Bhide Deshpande Vocalist: Vidushi Dr. Ashwini Bhide Deshpande Style: Jaipur-Atrauli Gharana Tanpura & Vocal support: Rutuja Lad Swarangi Marathe Tabla: Pt. Vishwanath Shirodkar Harmonium: Smt. Seema Shirodkar ______________________________________________________ 📝Lyrics: ************ Naad Sagar Aparampar *********** स्थाई : नाद सागर अपरंपार महाकठीन जाको पायो ना पार | अंतरा : रागन कि नैयां तालन कि पतवार गुरू खेवटभी ना जाने कब पावे पार || ******** Ko So Batau Antar Man Ki Bitha ******* स्थाई : मैं को सो बताऊं अंतर मन की बिथा ना जानूं कब होवे सुर के दर्शन च अंतरा : मार्ग न सुझे दस दिस मे कब हारे प्रभु मन अंधियार कब होवे सुर के दर्शन ______________________________________________________ About Artists: Dr. Ashwini Bhide-Deshpande: Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai. Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks. ______________________________________________________ No Copyrights own. fNOczUY022U |
| Category | Music |
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